“I’m a girl. But now I’m a boy too”: Queerness and autonomy in Hemingway’s The Garden of Eden (1986) and “The Sea Change” (1931)
Much has been written about Hemingway’s works from a feminist or queer perspective, including the relation between Hemingway’s biography and his representation of female characters, female domination and homosexuality. In comparison, the queer sub-field of transgender studies, which entails analyzing gender transgression and influence, has received little attention by scholars of Hemingway studies