Filtyp
Excited states in 251Md have been populated by decay of an isomeric state at Ex ≈ 1174 keV and studied via delayed γ-ray spectroscopy. We observe the population of two rotational bands, one of which we identify as the Nilsson π7/2[514] ground-state band and the other we propose is based on the π9/2[624] configuration. From the observed decay pattern, we suggest that the isomer spin parity is 23/2+
This study scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence. The British experimental science fiction film Anti-Clock (Jane Arden and Jack Bond, 1979) revolves around a video devi
In 1957, A Face in the Crowd incorporated live video images to warn about the future of broadcast TV. In 2015, Kung Fury was infused with analogue noise to evoke the nostalgic feeling of watching an old VHS tape. Between the two films, numerous ones would incorporate video images to imagine the implications of video practices. Drawing on media archaeology, Videographic Cinema shows how such images
This article explores the various manifestations of analogue video in digital culture. Introducing the framing concept of an aesthetics of remanence, it argues that the "society of the spectacle" (Debord) has entered an age of retrospectacle, a dominant signifier of which is the remediation and/or simulation of analogue videography. The concept of remanence connects the material conditions of magn
This short subject studies configurations of animation and live action in contemporary Swedish documentary film. While digitization has challenged the indexical image’s verifying function, animation has been elevated to the level of legitimate document. The epistemological boundaries of documentary film have consequently been expanded, and now include the inner worlds of social subjects. In Gömd (
The article examines Jewish ‘self-images’ in Swedish post-war film. Before World War II, antisemitic caricatures were prevalent in Swedish film and visual culture. Following the Holocaust, Jews as such were virtually erased from Swedish screens. Written by and starring Marie-Louise Ekman, Hallo Baby (Bergenstråhle 1976) was a rare exception, the first Swedish post-war film to explore Swedish-Jewis
Huvudhandledning. Översikt över de nationella minoriteterna, deras historia samt om hur filmen kan utgöra ett verktyg i undervisningen.
