Voicing what? – Some reflections on Arnold Schoenberg’s Second String Quartet
The Second String Quartet by Arnold Schoenberg, written in 1907 and 1908, is breaking musical traditions at least twice – (1) by leaving tonality, (2) by breaking the genre of string quartet, adding a voice who is interpreting two poems by the German symbolist Stefan George in its third and forth movements. In this paper, I want to raise the question about the reasons why Schoenberg might have add