The Contrasting Display of Emotions in Bridget Jones’s Diary
This article examines how Sharon Maguire’s romantic comedy Bridget Jones’s Diary (2001) both thematically and stylistically foregrounds the relationship between the protagonist’s voluntary and involuntary displays of emotions. It explores the use of cinematic techniques, underlining how the film speaks to our emotions, appealing both to high-level cognitive processes and low-level affective respon