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Blue native polyacrylamide gel electrophoresis - a functional approach to plant plasma membrane proteome studies

In this thesis, I have shown that a method called BN-PAGE (a kind of native gel electrophoresis) can be used for studying the protein composition in the plasma membrane of plants. The method enables the study of native (in the functional units) hydrophobic protein complexes, i.e., the membrane proteins and membrane associated proteins that form complexes in the cell. In the method, the protein com

Skådespelares tankar om röst, tal, text och språk

Upprinnelsen till detta konstnärliga utvecklingsarbete är de kommentarer om unga skådespelares sätt att använda rösten och talet, som fälldes speciellt under 1970- och 80-talen. Det var vanligt att man, efter att ha sett en föreställning, klagade över att skådespelarna inte hördes. Man kunde även höra skådespelare ur äldre generationer tala om sina yngre kollegers bristande talteknik. Denna kritik

Wolves, warriors and the policed countryside: Swedish media representations of wolves, their lovers and their enemies

Since 1966, when the wolf population was close to extinction, wolves have been protected in Sweden. The number of wolves has been increasing since the mid 80s. This increase in wolves has also been accompanied by ta discussion on "the wolf issue". Media has played an important role in showing off the debate as particularly polarised and fierce. Attaching binary positions such as lover or hater, ur

Organisational climate and psychosocial work environment in air traffic control

Air traffic control in Sweden is being studied in a joint long-term project between Lund University and the Swedish Air Navigation Services (ANS).The project aims to investigate how different organisational aspects such as organisational climate, team climate, leadership, psychosocial work environment and safety culture will be affected by ongoing organisational and technical changes. The basic re

Marginal Player: The Hunters and Sweden in the Age of Modern Media Wars

In the autumn of 1993 the subject of free trade in visual media was brought into the public eye as never before, at least within the European Union. The occasion was of course the much publicised near breakdown in the ongoing GATT-negotiations. The crux seemed to be that the US and the EU was unable to come to terms whereas films and television programmes was to be seen as manufactured goods which