The Periscope Above the Surface: A Study of Auteur Themes in John Ford Films Featuring Submarines
This thesis conducts an auteur analysis of John Ford films containing submarines with the method of textual analysis. The films that are being analyzed are The Blue Eagle (1926), Men Without Women (1930), Seas Beneath (1931), Submarine Patrol (1938) and The Growler Story (1958). The purpose is to find out which distinctive auteur themes that can be identified in each of these films. The results in