Filtyp
Postal address Box 117, 221 00 Lund Visiting address Arkivcentrum Syd, Porfyrvägen 20, Telephone +46 46-222 16 71, +46 46-222 00 00 Fax +46 46-222 47 20 Email universitetsarkivet@legal.lu.se Website www.lu.se Legal and Record Management Head of Div is ion Åsa Berg lund Guidelines for the Preservation and Disposal of Information on Social Media Introduction These guidelines are designed to provide
Postdoc Contact details Email: oscar [dot] jimenez_arranz [at] fysik [dot] lu [dot] seOrganisation Astrophysics Room number: A403 Service point: 14 WebpageÓscar Jiménez Arranz profile in Lund University research portalPostdoc at the Lund University. Former PhD student at the Institut de Ciències del Cosmos (ICCUB) at the University of Barcelona.I study the dynamics of the Magellanic Clouds to unde
https://www.astro.lu.se/oscar-jimenez-arranz - 2026-07-22
In this essay I will look at the independence of the Swedish municipalities. By looking at articles for the biggest journal in Sweden on this subject Kommun aktuellt I will look at the discussion for the years of 1978 and 1998 to see if one can draw some parallels in the debate and see if some subjects are always returning in the agenda for the independence. The autonomy of the Swedish municipalit
The aim of this study is to discuss the implementation of Swedish integration policy from the perspective that public officials, so called front-line bureaucrats, are the real creators of this policy. The concept of integration is far from unambigous; it can have different meanings depending on the theoretical perspective applied. This give topical interest to the question of how the concept is co
The purpose of this study was to illustrate how children of the "digital generation" used their computers in their everyday practice. The important in the study was children's perspective on computers interactions and communications in a digital arena. An essential item about understanding children's way to think about computers was to let children themselves speak by taking par
Old trees in cemeteries are often designated trees with "high conservation value" (in Swedish: särskilt skyddsvärda träd), which means that they are important for biodiversity. The Swedish Environmental Protection Agency has created an action plan to conserve those valuable trees in the Swedish culture landscape to preserve, for example, red listed species (often insects, lichens, mosses
Previous research on violence during the war in Bosnia and Herzegovina has resulted in a one-sided presentation of the phenomenon of “war violence.” Researchers have emphasized the importance of narratives in general but have not analyzed stories on war violence that were the product of interpersonal interaction and meaning-making activity. The aim of this article is to fill this knowledge gap by
Microsoft Word - CV_Jakob_Simonson_SV.doc CV – Jakob Simonson (f. 1974 i Skara) bor och arbetar i Malmö. Kontakt: Tel: 0705-58 15 92 jakob.simonson@gmail.com mail@jakobsimonson.net www.jakobsimonson.net Utbildning: 2005-2008 Konsthögskolan i Malmö, magisterexamen i fri konst (MFA) 2000-2002 Konsthögskolan Valand, Göteborg 1999-2000 Nordiska konstskolan, Kokkola, Finland 1997-1998 Hovedskous måla
https://www.khm.lu.se/sites/khm.lu.se/files/2008cv_jakob_simonson_sv.pdf - 2026-07-23
Universitetslektor Kontaktinformation E-post: eva [dot] lindell-frantz [at] jur [dot] lu [dot] se Telefon: +46 46 222 10 72Organisation Juridiska institutionen Rumsnummer: T420A Hämtställe: 56 WebbplatsEva Lindell-Frantz profil i Lunds universitets forskningsportalAndra roller Forskare Affärsrättsligt centrum vid Lunds Universitet, ACLU Docent Juridiska institutionen Publikationer Visar av publika
https://www.jur.lu.se/eva-lindell-frantz - 2026-07-22
Popular AbstractJag är konstnär! beskriver konstnärskapet i en mindre konstvärld ur ett sociologiskt perspektiv. Den lilla konstvärlden är specifik. Den utmärks av en hög grad av överblickbarhet, igenkännande och osäkerhet. Igenkännandet kan till en del minska den osäkerhet man känner inför vad som är konst och vad som inte är det, och vem som bör tillskrivas en konstnärsroll och vem som bör utdefI am an artist! describes the process of recognition that surrounds being an artist in a local art world; how boundaries are drawn up not only by the artists themselves, but also others in the art world. It also describes the advantages and restrictions of a local art world as far as the artist´s possibilities to be seen, mentioned, judged and distributed, and also the specific general view which
How do you approach an elusive phenomena like “travel fever”, the kind of mixed feelings travellers experience, hovering between anxiety and exhilaration? In an ongoing study of such links between motion and emotion I have worked with different arenas, above all the production of shared or contested moods and atmospheres in transit spaces. Here, I would like to try another approach: the suitcase.
Popular Abstract in Swedish Partikelfysiken är studien av naturens minsta beståndsdelar --- De så kallade \emph{elementarpartiklarna}. All materia i universum består av elementarpartiklar. Den teori som beskriver vilka partiklar som finns och hur de uppför sig heter \emph{Standardmodellen}. Teorin har historiskt sett varit mycket framgångsrik. Den har gång på gång förutspått existensen av nya part
This essay presents an analysis of the Russian director Alexandr Mindadze’s feature film Innocent Saturday, released precisely 25 years after the Chernobyl’ accident in Ukraine. In a comparative study between the Russian-speaking and non-Russian-speaking reception of the film, I will show that the philosophical dimension, depicting Chernobyl’ not as a “great” historical, technological event, but i
Abstract in Uncoded languages U ranijim viktimološkim istraživanjima naglašene su jednostrane slike kategorije „žrtva“ i „zločinac“. Istraživači su isticali važnost priča i usmjerili fokus analize na priče o viktimizaciji, ali istraživači nisu analizirali poslijeratne intervjue kao arenu gdje se odigrava borba za status žrtve. Ovim člankom pokušava se popuniti ta praznina analiziranjem priča 27 osPrevious research on victimhood often has presented a one-sided picture of the “victim” and “perpetrator”. Researchers have emphasized the importance of narratives and they have focused on narratives about victimhood, but a researcher has not analyzed post-war interviews as a competition for victimhood. This article tries to fill this gap using stories told by survivors of the Bosnian war during t
