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This paper examines Pixar Animation Studios’ movies Ratatouille (2007), WALL-E (2008), and Soul (2020) to explore whether and how they sacralize ordinary actions, thereby transforming films into places of ritualistic meaning-making. Using ritual theory (Grimes, Bell, Turner), Paul Schrader’s transcendental style, and the framework of cine-ritualism, the study explores how audio-visual strategies c
