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Denna uppsats är den andra delen av mitt magisterarbete och innehåller en analys av översättningen som utgör uppsatsens första del. Översättningen består av sidorna 113-142 i El Príncipe de la Niebla av Carlos Ruiz Zafón, utgiven 2007 av Editorial Planeta i Barcelona. Boken gavs ut första gången 1993 av Edebé, Barcelona. Uppsatsen består av tre delar. Första delen utgörs av en källtextanalys där d
The question 'whether an utterance (word/term/name) loses its signification with the destruction of things (i.e. things signified)' is raised as a question about the truth-value of assertions with an empty term as a subject, namely as a sub-problem of the sophism 'Whether "omnis homo de necessitate est animal" is true when no man exists (=OHNEA)'. In this paper, I shall introduce the discussions a
Abstract not available.
ABSTRACT The present study describes topics related to music education, and the education of flautists, primarily on a professional level, covering a period from early 18th Century up to the early 21st Century within the French flute tradition. Further related areas of importance are concepts such as intuition, imitation, mimeses and maieutics and their relation to a flautist’s learning and teachi
For more than a decade, the Centres d’aide et de lutte contre les agressions à caractère sexuel (CALACS) have been involved in developing an intersectional approach, responding to needs emerging from their daily practices. The partial results of the action-research that followed the CALACS in this endeavor show that, despite significant efforts and the recognition of intersectional needs, many obs
The patois of Evolène – a municipality in the Swiss canton of Valais – is the only autochthonous Franco-Provençal dialect that is still being transmitted to new generations in the French speaking part of Switzerland. This work is based on a questionnaire, distributed through Google Forms and answered by 10 patois speaking residents of Evolène. The respondents were questioned on two main topics: ho
This study examines magic idealism as well as the representation and function of music in the novel El penúltimo sueño by the Colombian author Ángela Becerra. The assumption is made that there is a connection between music and magic idealism in the novel. In the analysis several recurring trends of magical idealism and music are identified. Music is represented as a companion in times of joy and s
