Background: Progressive accumulation of α-synuclein is a key step in the pathological development of Parkinson's disease. Impaired protein degradation and increased levels of α-synuclein may trigger a pathological aggregation in vitro and in vivo. The chaperone-mediated autophagy (CMA) pathway is involved in the intracellular degradation processes of α-synuclein. Dysfunction of the CMA pathway imp

The analysis of iron, manganese and antimony in silicate glass is of great interest in chemistry, materials science, earth sciences and archaeological sciences. Yet, conclusions from different fields appear to be contradictory and many questions about redox reactions in glass remain. The purpose of this study is thus to discuss whether and how these multivalent elements interact in glass. Soda-lim

The design of robust and inexpensive molecular photocatalysts for the conversion of abundant stable molecules like H 2 O and CO 2 into an energetic carrier is one of the major fundamental questions for scientists nowadays. The outstanding challenge is to couple single photoinduced charge separation events with the sequential accumulation of redox equivalents at the catalytic unit for performing m

#100. ASEAN Voices, for erhu and 10 mixed ASEAN ensemble players (2017). Premiere: Premiered by C asean Consonant (an ASEAN traditional ensemble), during the 2017 China-ASEAN Music Week at the Guangxi University of the Arts on May 27, 2017. The conductor was Knote KnocKnote with erhu soloist Hu Liu.

#096. Beauty and Disappearance of an Unstable Orbit, for 6 instruments (ob., cl., perc., pno., vla., db.) (2017)

#093. Intitulata Fontegara, for trio instruments (fl., vl. & pno) (2015)

#092. In Silence, I hide my loudest scream, for 9 instruments (a.fl., b.cl., tpt., tbn.,perc., vl. 1 & 2, vla., vlc) (2015). Premiere: China-Asean Youth Orchestra, conducted by Michael Edgerton. Guangxi National Palace concert hall on 2015_06_06.

#090. Noise is interrupting my practice: Silence is when my reaction is quiet. Silence is my protest against the way things are, for piano and amplification (2014)

#089. The Return of Takhi, the last Feral Horse, for bass cl, trumpet, trombone, voice (2014). Premiere: 2016_05_02, The National Opera Center (NYC) by Loadbang

#078. Balkan Dances, for 4 blockflöte (tenor, bass F, grossbass C, Subbass F) (2008). Premiere: Quartet New Generation in Schaffhausen, Switzerland; 2008_09_27

#077. A Marriage of Shadows, for flute (a.fl), Alto (tenor) sax, percussion, gtr, voice (2008). Premiere: ensemble Ars Nova & Angela Rademacher @ AVFest08 in Middlesbrough, UK; 2008_03_03

#073. adjusting to beams falling, for flute and violoncello (2006)

#067. Kut, for sheng (or accordion/oboe), female voice, violin (2002). Premiere: Rebekka Uhlig at Piteå University; 2003_10_17

#066. Sangītaśiromani, for 7 strings (vln & vla) (2002)

#064. String Quartet #1, for string quartet (2002). Premiere: Kairos Quartet, 18. Tage für Neue Musik Rottenburg (am Neckar) A Quattro! - Festival für Streichquartett Kulturverein Zehntscheuer E.V. Rottenburg am Neckar; 2004_04_04

#063. Koli, for string quartet and bass voice (2001)

#057. Samsara, for twenty strings (2000)

#056. le Critérion, for woodwind quartet (fl, ob, cl, bsn) (2000/2008)

#051. Twelve Miniatures, for wind, brass and piano (1999). Premiere: l'ensemble Décadanse joint le groupe Coma (Grande Bretagne) au parc Jean Hugo, à Lunel; 2000_05_28