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The paper of Dunbar (2025) on social stress is a strong demonstration that stress in itself can have a purely cognitive origin. The paper shows that the cognitive system can have profound impacts on the hypothalamus. As detailed in my commentary, this opens up new avenues of how to interpret psychiatric conditions, placebo, and other associations between perceptions and vegetative functions in the

Introduction. Fava beans are an increasingly popular and viable crop, and an excellent nutritious choice for novel plant-based food products. Fava beans are industrially underexploited as a food ingredient and are today mainly used as animal feed [1]. However, fava beans are an interesting base material for producing plant-based milk. While soy milk dominates the legume-based beverage segment, the

Introduction. Building block chemicals, such as butanol, can be produced via fermentation and biobased feedstocks as a more sustainable alternative compared to the current petrochemical methods. However, the butanol fermentation is subjected to low product titres (<20 g/L) due to product inhibition of the bacteria [1]. To overcome this continuous fermentation can be applied, as it offers considera

Introduction. Salinity gradient energy (SGE) originates predominantly in estuaries, where freshwater rivers meet seawater. The energy available from the mixing of these solutions results from the difference in concentration between them. While oceanic waters typically maintain similar salt concentrations, those confined within semi-enclosed basins exhibit variations influenced by the prevailing co

Performance featuring spherical amplification.ArteScienzaMUSA Museo degli Strumenti Musicali, Rome (IT)Opificio Sonoro20/07/2025From the program “¡SCODANIBBIO!”:Scodanibbio, Stefano (1956-2012, IT) – Dos Abismos (for classical guitar) [1992]

Performance featuring spherical amplification.Wie du warst! Wie du bist!Bernhard Theater, Opernhaus Zurich, Zurich (CH)20/09/2025Steen-Andersen, Simon (*1976, DK) — Wie du warst! Wie du bist! (Music theater) [2025] WP

Performance featuring spherical amplification.#2 aufbrechen (quatre scènes)Brunnenhof Studio 1, Zurich (CH)Collegium Novum Zurich30/10/2025From the program:Iannotta, Clara (*1983, IT) – a stir among the stars, a making way (for large ensemble) [2019-20]

This thesis clarifies and highlights how selected parts of Swedish law in the field of health care relate to different ways of understanding events that have caused or could have caused patient injury: a systems perspective and an individual perspective, respectively. It thus examines how the law and its application relate to conflicts between supporting openness and learning based on a systems pe

Performance featuring spherical amplification.Elbphilharmonie VisionsElbphilharmonie, Hamburg (DE)NDR Radiophilharmonie14/02/2025From the program:Iannotta, Clara (*1983, IT) – Moult (for orchestra) [2018-19]

Performance featuring spherical amplification.Ensemble PHACE Series 2024/25 #3 – LightnessBerio-saal, Wiener Konzerthaus, Wien (AT)Ensemble Phace11/03/2025From the program:Cheng, Huihui (*1985, CN) – Sonic Leak (for e-guitar, sax, percussion and piano) [2020]

Performance featuring spherical amplification.ManiFesteCentquatre, Paris (FR)Ensemble Musikfabrik12/06/2025Program:Poppe, Enno (*1969, DE) – Prozession (for large ensemble) [2015/2020]

This volume shows that waste, in both how it is produced and how it is construed, can serve as a revelatory lens through which the social world itself may be critically re-examined and assessed. Drawing on related interdisciplinary interests for waste, it presents contributions that address the thematic concerns of materiality, society, economy, and temporality. The aim is to offer an introduction

Performance featuring spherical amplification.Zyklus #1 “LOOM”Berio Saal, Wiener Konzerthaus, Wien (AT)Ensemble PHACE 18/11/2025From the program:Kishino, Malika (*1971) – Sensitive Chaos (for 7 instruments) [2010]Kaleli, Emre Sihan – Adjacent Rooms, a Part of a Labyrinth (for ensemble) [2025]

Performance featuring spherical amplification.Perfect contradictionReaktor, Wien (AT)Ensemble PHACE16/12/2025From the program:Cheng, Huihui (*1985, CN) – Sonic Leak (for e-guitar, sax, percussion and piano) [2020]Ivicevic, Mirela (*1980) — Lil (for e-guitar, saxophone, cello and electronics) [2022]

Performance featuring spherical amplification.Don Bosco, Basel (CH)Musik-Akademie Alumni Ensemble22/06/2025From the program:Geha, Katia (*2002, AU/LB) — I know what I have done (for solo viola and ensemble) [2025] WPKatzman, Ron (*2000) — Work (for ensemble) [2025] WP

Performance featuring spherical amplification.Musikfabrik im WDR 93WDR Funkhaus, Cologne (DE)Ensemble Musikfabrik12/07/2025From the program:Kilger, Lucia — cyrcyre #2 (for ensemble and electronics) [2022]

Performances featuring spherical amplification.SIGNAL +Kunstraum Walcheturm, Zurich (CH)kHaus, Basel (CH)w/Duo Signal13 + 14/09/2025From the program:Fernández Ezquerra, Nuño (*1992, ES) — An Atlas of the Infinite (part I) (for voice, saxophone, trombone, cello, e-guitar and electronics) [2025]