The polyphonic performance of testimony in Svetlana Aleksievich’s Voices from Utopia
This article claims that Svetlana Aleksievich’s Voices from Utopia should be read as testimony. Although based on eyewitnesses interviewed by Aleksievich, the voices represented in the five books are interpreted as the creation of an implied author. In contrast to a theoretical standpoint defining fact in a dichotomous relation to fiction, this study identifies the historical value of Aleksievich’This article claims that Svetlana Aleksievich’s Voices from Utopia should be read as testimony. Although based on eyewitnesses interviewed by Aleksievich, the voices represented in the five books are interpreted as the creation of an implied author. In contrast to a theoretical standpoint defining fact in a dichotomous relation to fiction, this study identifies the historical value of Aleksievich’
