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Inspired by Thomas Pynchon’s Gravity’s Rainbow, Rust is a sinfonietta that channels the novel’s dense, layered materiality and its irreverent fusion of high and low art. Rather than merely illustrating Pynchon’s imagery, Edgerton constructs a sonic architecture that parallels the novel’s encyclopedic scope and stylistic volatility. The title, drawn from a passage evoking “hunters’ boots and
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#110. VinelandTITLE: VinelandCAT# (YEAR COMPOSED): 110 (2022/23)INSTRUMENTATION: solo voice with 2-3 microphones (one on throat), lo-fi spoken text, 3D scenographyPAGES: 26DURATION (APPROX): 12’30PUBLICATION:PREMIERE: 2023-01-20 by Angela Wingerath. Deutsches Hygiene-Museum, 19:00.
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#111_4. sonata : kleine Aster (von Gottfried Benn), for tuba and amplification
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Linda's sorrowfor SSA choir #112, 2024
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This short contribution is concerned with the development of the colour adjective blå (blue) in Swedish and the underlying semantic conditions and mechanisms that have been favourable for the development of the new senses that have gained ground among speakers.
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Le Poidevin’s ‘new agnosticism’ concerns partaking in religious life while being uncertain whether religious discourse is fictional or not. Le Poidevin has offered two distinct versions of the new agnosticism, ‘semantic agnosticism’ and ‘meta-linguistic agnosticism’. I suggest that the first, ‘semantic agnosticism’, should be rejected, mainly because it involves a highly questionable view of truth