Bridling Masculinity: The Horse as Symbol in Riders and The Horse Whisperer
This essay examines how masculinity is negotiated through equestrian symbolism in Nicholas Evans’s The Horse Whisperer (1995) and Jilly Cooper’s Riders (1985), situating both novels within the cultural context of late twentieth-century neoliberal Britain and the United States. Drawing on masculinity studies, neoliberal theory, and animal symbolism, the essay argues that the horse functions as a ce
