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Integrating enzyme fermentation in lignocellulosic ethanol production: life-cycle assessment and techno-economic analysis

BackgroundCellulase enzymes have been reported to contribute with a significant share of the total costs and greenhouse gas emissions of lignocellulosic ethanol production today. A potential future alternative to purchasing enzymes from an off-site manufacturer is to integrate enzyme and ethanol production, using microorganisms and part of the lignocellulosic material as feedstock for enzymes. Thi

Computer-Aided Planning of Adaptation of Homes for Disabled Persons

When adapting the home of a disabled person many people with different backgrounds and knowledge are involved in the planning phase. An essential feature in the planning process is a visualization technique which presents the suggested solution in a form that is easy to understand for everybody and can initiate constructive discussions. In this research project we demonstrate the possibility of us

Lund-university-350th-anniversary

Science Weeks tackled the great challenges of our time / page 8 Jubilee Course with a wow-factor / page 16 Some jubilee highlights / page 18 Lund University’s 350th anniversary – A LOOK BACK AT THE 13-MONTH YEAR 1 Lund University’s 350th anniversary celebrations ran between 19 Decem- ber 2016 and 28 January 2018, shin- ing a spotlight on the University’s education, research, innovations, external

https://www.lu.se/sites/www.lu.se/files/lund-university-350th-anniversary.pdf - 2026-05-20

Säkerhetskulturen i sjö- och luftfart

2006 lades avhandlingen Safety culture in sea and Aviation transport fram vid Institutionen för Designvetenskaper vid Lunds tekniska högskola. Avhandlingsarbetet var framför allt en del av det LFV-finansierade HUFA-projektet (Human Factors in Air Navigation Services) vid Lunds universitet, samt en del av ett större sjösäkerhetsprojekt finansierat av bl.a. Sjöfartsverket och VINNOVA. Här följer en

Experimental Film as Marketing Strategy: Sponsored Film Culture in Postwar Sweden

In Sweden during the 1940s and 50s, many artistically ambitious filmmakers, like Arne Sucksdorff, Gösta Werner, and Peter Weiss, sought and gained financial aid from sponsors within the industry. Whereas many sponsored films document and communicate industrial processes, these films are more creatively oriented and experiment with film as an artistic expression. Although economic concerns undoubte