You whistle – and ask, am I alone in here?A whistle emanates from the gut, proceeding to circulate beyond the body, as an absent presence that is felt rather than seen. Whistling in the dark — a nonchalant gesture set within an anxious environment; to summon your courage in the face of projected danger.In the Netherlands, we find ourselves placed at a critical juncture. Much has been said on the r

“It is with great pleasure that I present to you Fluiten in het Donker, a publication conceived alongside the eponymous group exhibition held at de Appel arts centre, Amsterdam, from May 20th to June 26th, 2011.This book is not stricto sensu an exhibition catalogue. You will not find any explanation or straightforward analysis of the artworks included in the show but instead a constellation of ima

A review of Michael Snow's solo exhibition "Powers of Two" at Christopher Cutts Gallery in Toronto, Canada.

A review of the final edition of La Biennale de Montréal "Le Grand Balcon/The Grand Balcony" curated by Philippe Pirotte.

A review of Safouane Ben Slama and Samar Hejazi's two-person exhibition "And yet it rises" at Cassandra Cassandra in Toronto, Canada.

A review of the group exhibition "Soundings: An Exhibition in Five Parts" at the Kitchener-Waterloo Art Gallery curated by Candice Hopkins & Dylan Robinson.

A review of Mary Ann Aitken's solo exhibition at What Pipeline in Detroit, United States.

A review of the group exhibition staged by the collective of Queer Caribbean artists and their allies at Mercer Union in Toronto, Canada.

A review of a solo exhibition by G.B. Jones at Cooper Cole in Toronto, Canada.

“holding one’s own in an unfinished systemit simply stresses the multiples at play”This exhibition takes its name from a 1987 text by Canadian artist Ellie Epp. The unfinished systems in which Epp and British artist Juliette Blightman hold their own are multiple: from the commitments of the artists’ daily lives, to the context of the societies they occupy, to the art institutions which provide one

Since their discovery in 1945, the Nag Hammadi Codices have generated questions and scholarly debate as to their date and function. Paul Linjamaa contributes to the discussion by offering insights into previously uncharted aspects pertinent to the materiality of the manuscripts. He explores the practical implementation of the texts in their ancient setting through analyses of codicological aspects

An essay revisiting Stephen Andrews's series of works including drawings and video produced from unofficial sources following the United States invasion of Iraq in 2003.

“How do systems of distribution facilitate our encounter with artworks that refuse the status of the unique art object? Artists’ film and video and artists’ books have both occupied key roles within the practices of interdisciplinary artists for successive generations. However, they have existed at the margin of institutions, appearing most often under the departmental auspices of public and educa

“There is something to confess: your speaker likes to leave a movie theater. Back out on the more or less empty, more or less brightly lit sidewalk (it is invariably at night, and during the week, that he goes), and heading uncertainly for some café or other, he walks in silence (he doesn’t like discussing the film he’s just seen), a little dazed, wrapped up in himself…”In his 1975 essay, Leaving

A text written in collaboration with Oliver Husain surveying the films and artist's books by Jimmy Robert in relation to his solo exhibition at The Power Plant Contemporary Art Gallery.

What you hold in your hands is the outcome of an extensive research project into Babette Mangolte's film The Camera: Je, La Camera:1 (1977), and Lucy Lippard;s novel I See/ You Mean (1979), which took place in the frame of If I can't Dance's Performance in Residence programme with invited researcher Jacob Korczynski. Korczynski has investigated the relationship between the subjective role of the c

"Collection/Correction" is a publication edited by Jacob Korczynski that surveys Andrew James Paterson’s (Toronto, 1952) writings for the first time. Co-published by Kunstverein Toronto and Mousse Publishing, "Collection/Correction" is anchored upon a series of new and recent poems and also includes four of the scripts from his videos The Walking Philosopher (2001), Eating Regular (2004), 12 x 26

The effect of non-starch polysaccharides of whole unripe plantain flour (WUPF) on the starch hydrolysis rate provides information on the potential glycemic impact of the use of this flour to produce gluten-free foods. The aim of this study is to evaluate the effect of the non-starch polysaccharides (dietary fiber (DF)) present in the peel of unripe plantain flour on starch digestion, texture, and

BACKGROUND: In Sweden, as in many other countries, official monitoring of healthcare quality is mostly focused on geographical disparities in relation to a desirable benchmark. However, current evaluations could be improved by considering: (1) The intersection of other relevant axes of inequity like age, sex, income and migration status; and (2) The existence of individual heterogeneity around ave

Grupputställning Västerås Konstmuseum, curator Katarina Elvén"I utställningen Någon sorts kunskap – fotografi ur och av samlingar undersöker konstnärer grundläggande frågor om fotografi och dess användning. Hur förhåller vi oss till fotografiets anspråk på att erbjuda oss kunskap och att framstå som objektivt bevis? Hur styr fotografen bilden och hur skapar bilden världen?"Group exhibition, Västerås Konstmuseum