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This paper discusses the removal, sale and collection of street artworks. These practices have become increasingly widespread as prices for commercial urban art have risen. While many members of the street art world consider the taking of and trading in street artworks to be taboo, my research shows that attitudes vary depending on the wishes of the relevant artists and the motives of the people r
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This paper investigates the role of locally produced pop-ghazal music in the politics of the people of Baltistan, a community living in the western Himalayas on both sides of the border between Indian and Pakistan and characterized by its blend of Shi’ite and Tibetan culture as well as its vernacular Tibetan dialect. The pop-ghazals conjures up an alternative narrative of local history and belongi
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Abstract in Undetermined Går ej att lägga in