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Nonlinear responses to externally forced climate change are known to dampen or amplify the local climate impact due to complex cross-compartmental feedback loops in the Earth system. These feedbacks are less well represented in the traditional stand-alone atmosphere and ocean models on which many of today's regional climate assessments rely (e.g., EURO-CORDEX, NOSCCA and BACC II). This has promote
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakultetenRättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakultetenRättsfallspodd från Juridiska fakulteten
Currently, there is limited knowledge on how the Swedish strategy with more lenient public health restrictions during the COVID-19 pandemic has influenced people's life satisfaction. Here, we investigated self-reported life satisfaction during the first wave of the pandemic in Sweden, and perceived changes in life satisfaction in relation to various sociodemographic factors. A total of 1082 people
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakulteten
Rättsfallspodd från Juridiska fakulteten
Solid-state sodium ion batteries are frequently referred to as the most promising technology for next-generation energy storage applications. However, developing a suitable solid electrolyte with high ionic conductivity, excellent electrolyte–electrode interfaces, and a wide electrochemical stability window, remains a major challenge. Although solid-polymer electrolytes have attracted great intere
Rättsfallspodd från Juridiska fakulteten
A selection of Corona-related trade stories from the field of ‘creative documentary’ is examined and connected to a discussion about government film policy ‐ long-term support structures as well as ad hoc measures to counter the effects of COVID-19 ‐ all in an effort to gauge the pandemic’s ramifications for Scandinavian cinema and the film industry’s navigation of conditions of radical uncertaint
