Many critics have noted Ah Cheng’s extensive use of Daoist imagery and symbolism in his novella King of Chess from 1984. The story refers directly to Daoist discourse of non-action (无为wuwei) and the power of yielding/softness in its treatment of the Chinese Way (道dao) of chess, and thus readings have focused on the metaphysical aspects of Daoism. Chess, however, is only one of the two great passio

In particular, I look at how traces of Zhuangzi’s butterfly dream appear in the oneiric fictions of Argentinian writer Jorge Luis Borges, and how, in turn, Borges’ dream-worlds have inspired Chinese author Can Xue to create a new kind of literary dreamscape.

Inspired by cultural geographer David Crouch’s description of heritage as a journey,3 this paper looks at how the narrator’s physical and mental voyage towards the old capital of her childhood incorporates multiple spatiotemporal layers of urban cultural heritage in order to reach a deeper understanding of the living historical city she calls home.

In the works of Can Xue, houses and buildings act as the outer shell of the fragile self. Her depiction of these uncanny places of inhabitance questions the rationalist notion of an objective border between self and surroundings, paving the way for a subjective and phenomenological approach to reality.

The Biopython Project is a long-running distributed collaborative effort, supported by the Open Bioinformatics Foundation, which develops a freely available Python library for biological computation.We present here details of the latest Biopython release - version 1.66. New features include: extended Bio.KEGG and Bio.Graphics modules to support drawing KEGG pathways with transparency; extended “ab

Collective identities of the Self vs. the Other are not only conveyed in and between cultures through verbal discourse, but also through pictures. Cultural encounters are often comprehended by storytelling, the verbal expression of which has been abundantly studied. Pictorial manifestations of narration, however, have received comparatively less attention. Mostly, narration has been associated wit

PURPOSE: To report the change over time in intraocular pressure in patients treated with topical timolol or placebo.METHODS: Ninety patients with untreated ocular hypertension, defined as elevated intraocular pressure and normal visual fields, were randomly assigned to treatment and prospectively observed at 3-month intervals for up to 10 years in a double-masked fashion. The study end point was o

BACKGROUND: Increased intraocular pressure (IOP) has been shown to be one of the most important risk factors for developing glaucoma. Yet it has not been clearly demonstrated that IOP-lowering treatment can reduce the incidence of glaucoma damage in patients with ocular hypertension. The aim of the current paper was to report the results of a long-term study addressing this very problem.METHODS: W

PURPOSE: To evaluate the performance of the new perimetric threshold strategy SITA relative to older methods.METHOD: Thirty-two patients with either glaucoma or ocular hypertension performed two threshold visual field tests with each of three threshold strategies, SITA, Humphrey Full Threshold, and Fastpac. Testing was distributed over three visits, and testing order was balanced between strategie

PURPOSE: To describe and evaluate the new rapid SITA Fast computerized perimetric threshold strategy.METHOD: Computer simulations of visual fields were used to develop a new rapid threshold strategy, SITA Fast. In a clinical evaluation 30 patients were examined twice with each of the Full Threshold, Fastpac and SITA Fast strategies.RESULTS: SITA Fast had significantly shorter test time using on av