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Mänskliga rättigheter kräver makt för att kunna upprätthållas
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This article examines the way that Uruguayan author Mauricio Rosencof reconstructs family genealogy and self identity in Las cartas que no Ilegaron. The materiality of memory has an important place in the novel: the superimposed stories take shape through spaces and objects tied to the protagonist's childhood and the family history. The author employs a double entendre in which referential immedia
Spets ska inte ställas mot bredd
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Bristande effektivitet i utbildningssystemet
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Abstract not available