Poetry as music : The significance of musicalized poetry in the aftermath of Swedish modernism
In the 1940s, Swedish poetry saw the breakthrough of modernism. With the modernist style came a new kind of poetic aspiration towards the condition of music: semantic imitations of musical genres and attempts to create, with the help of the words' associations, an aesthetic effect similar to a musical effect. This type of intermediality, which I call semantic musicality, was inherited as a norm of
