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Parting from Henri Meschonnic’s poetics of rhythm, this study explores the rhythmic configuration in eight poems of Juan José Saer’s barely commented poetry collection, El arte de narrar. Poemas (2000). Meschonnic’s poetics conceives of rhythm as the movements of a form, which is open and multiple and whose dispositions reveal a poetic subject’s voice, orality and corporeal nature. This study depa
In the following Master’s thesis I examine two central concepts in the development of the Latin-American novel of the 20th century: the Marvelous Real (lo real maravilloso) and the American Baroque (lo barroco americano), both developed by the Cuban author Alejo Carpentier (1904-1980). In the study, following some biographical considerations, two original texts by Carpentier are presented; the fir
The short stories from Francisco Tario, a relatively unknown Mexican author, show signs of a postmodern and individual aesthetic. In order to reach this conclusion, it has been necessary to analyze the phenomenon of the fantastic in its history, its relation to myth and fantasy, and in its particular reception throughout Latin America and Mexico. Furthermore, we have reviewed different models and
The focus of this thesis is to revise, summarize and analyze the political aspects of Cuba in Antes que anochezca and Viaje a La Habana by the Cuban poet/writer, Reinaldo Arenas, who upon being declared a dissident due to his counter revolutionary ideas and his sexual orientation, suffered oppression, persecution and, finally, exile from Cuba when he, much against his will, travelled to the United
