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"Once We Were Trees”

26 to 28 November 2024 The project “Once We Were Trees” is an ongoing workshop series instigated by musicians/curators/composers Ida Lundén, Johannes Nästesjö, Nguyen Thanh Thuy and Halla Steinunn Stefánsdóttir. The workshop at IAC in November 2024 is the continuation of the work that began in August at Häckeberga Skoggård. The overall goal is to create an anthropological documentation which will

https://www.iac.lu.se/once-we-were-trees - 2025-12-11

Interdisciplinarity & Visual Mediation

11 & 12 November 2024 In this seminar, organised by the ‘Sound, Narrative, Technology’ network and Crocus, we will discuss aspects of interdisciplinary collaborations between artists and research/ers from different fields.Furthermore, we will reflect on how video can contribute to a creative and exploratory process and the meaning-making when mediated in a performance. As part of the seminar, we w

https://www.iac.lu.se/interdisciplinarity-visual-mediation - 2025-12-11

Thinking Together

28 November 2024, at 17:00 Malmö Theatre Academy invites you to a conversation between Nana Osei-Kofi and Lena Sawyer, “Grappling with the Colonial Archive: Performance, Place, and Public Engagement”. The event takes place November 28th 17.00–19.00, and is open to the public. After the conversation we will share a meal.In this Thinking Together, Nana Osei-Kofi and Lena Sawyer discuss their collabo

https://www.iac.lu.se/thinking-together-grappling-colonial-archive-performance-place-and-public-engagement - 2025-12-11

Lars Kynde / More Sound Residency

6 January to 6 February 2025  At IAC, I will explore how a magnetic field can deform the harmonics of metal instruments and strings - a kind of magnetic "tuning peg" that can tune harmonic series inharmonically and vice versa.I hope to find a physical model for the relationship between magnetic field and spectrum. If successful, I see a poetic potential in the instrument adapting fluidly, like a c

https://www.iac.lu.se/lars-kynde-more-sound-residency - 2025-12-11

Artist Studio

The Artist's Studio is 24,35 m2 in total. The design of the small space with incoming natural light from the ceiling window makes it suitable for artistic work. Specifications: Approximately 6.7m x 3.4m. Equipped with a sink, table and chair. Equipment & Support Read more about IAC’s available resources. Technical equipment Download the list with the technical equipment here (PDF, 701 kB, new tab)

https://www.iac.lu.se/facilities/venues/artist-studio - 2025-12-11

Spatial Audio Workshop - Evaluation

INTER ARTS CENTER Now that the workshop has ended, we are very interested to hear your thoughts both on the content as well as structure of these past three months. The survey is anonymous and only takes a few minutes, we appreciate your input! 1. Content Did the content meet your expectations? Did the workshop introduce you to new techniques and ideas? 2. Guidance and group dynamic Did the worksh

https://www.iac.lu.se/form/spatial-audio-workshop-evaluation - 2025-12-11

Project evaluation

INTER ARTS CENTER Now that you have completed your project at IAC, we are very interested to hear how satisfied you were with your stay. The survey only takes a few minutes, and your answers help us to continually improve our service. Thank you for your feedback!* If you are a researcher affiliated with Lund University, please add IAC as an infrastructure to your registered project, activity or re

https://www.iac.lu.se/form/project-evaluation - 2025-12-11

Guidelines for the Inter Arts Center

IAC operates in establishment periods of three years with guidelines that are revised and renewed for each period. The Faculty Board at the Faculty of Fine and Performing Arts makes the decisions about the regulations, operational plans, budgets, and annual reports for IAC. Excerpts from the guidelines decided by the faculty board (STYR 2023/1040): PURPOSE As a research infrastructure, IAC is inte

https://www.iac.lu.se/guidelines-inter-arts-center - 2025-12-11

Workshop

29 November 2024, at 10:00 to 16:00 Identity and Change-Making: Black, Brown, and Queer Experiences in the NordicsBy Nana Osei-Kofi, PhD (she/her)This workshop is designed for Black, Brown, and Queer researchers, artists, and community activists—or those who work closely with these communities. Participants will explore the challenges and nuances of navigating environments that are predominantly c

https://www.iac.lu.se/workshop-identity-and-change-making-black-brown-and-queer-experiences-nordics - 2025-12-11

PROCESSING … Emilia Bongilaj & Phillip Staffa

17 to 20 February 2025 Stage designer Emilia Bongilaj (Malmö, SE) and artist Phillip Staffa (Berlin, DE) merge their artistic backgrounds to create a transformative space touching on the subjects of empty routines and the balancing of ambition and overworking.Using responsive sensor technology, the work’s focus is to address the act of being present as an individual in an intra-related world. The

https://www.iac.lu.se/processing-emilia-bongilaj-phillip-staffa - 2025-12-11

”Det finns inga ord” (“There are no words”) – the development of a multilingual hybrid composition

Daniel Fjellström (composer), Vanja Hamidi Isacson (playwright and doctor in performative and media practices) December 2024 & ongoing in 2026 Our collaboration aims to create a multilingual hybrid work that explores the connection between text and music. The form moves in the borderland between vocal works, opera and audio play. We work closely to integrate our artistic practices from the start o

https://www.iac.lu.se/det-finns-inga-ord-there-are-no-words-development-multilingual-hybrid-composition - 2025-12-11

Listening to the city (Att lyssna till staden)

Maj Hasager, Ask Kæreby 29 November to 5 December 2024 The project has been running since January 2022. In workshops with Maj Hasager and Ask Kæreby, the Lund School of Culture's chamber orchestra has developed and refined its skills in listening to, capturing and recreating the sounds of the city. The result is a joint composition in which the other sounds of the region are explored and interpret

https://www.iac.lu.se/listening-city-att-lyssna-till-staden - 2025-12-11

Skåne: An Immersive Experience for Environmental Awareness

27 February to 27 March 2025 Event: 20 March at 18:00, Black Room, IAC.With registration only until March 19th to the following address: dominguezrodriguezcatalina15 [at] gmail [dot] com (dominguezrodriguezcatalina15[at]gmail[dot]com)Catalina Ishtar presents an interdisciplinary project exploring the relationship between art, technology, and sustainability through an immersive experience. Develope

https://www.iac.lu.se/skane-immersive-experience-environmental-awareness - 2025-12-11

Black Room

The Black Room of approximately 90m2 is located on the fourth floor. It is designed as a “black box theatre” but has the capacity to hold anything from installations, screenings, performances or smaller gigs. Specifications and facilities Dimensions: approximately 8.86m x 8.84m.Lighting grid with patched outputs to existing 24 channel dimmer (DMX).4K projector, VPL-VW320ESA dressing room in an adj

https://www.iac.lu.se/black-room - 2025-12-11

How to Make the Future Unpredictable

13 February 2025, at 13:00 Welcome to Yann Coppier's 25% PhD seminar in Artistic Research in Music which includes a discussion with opponent Palle Dahlstedt, Professor in Interaction Design at the University of Gothenburg.How can you claim to master the delicate art of composition when technology eludes your grasp? When you do not fully understand what you are playing with, and when the pace of ch

https://www.iac.lu.se/how-make-future-unpredictable-25-phd-seminar-yann-coppier - 2025-12-11

Elide Sulsenti - New modes of interaction between gesture and sound.

January to June 2025 Elide Sulsenti, cellist and researcher, is carrying out a project that combines music, technical objects, and technological innovation. During the residency, she is working on the design of an “augmented” cello bow, equipped with sensors such as gyroscopes and accelerometers, to experiment with new modes of interaction between gesture and sound. The results of this research wi

https://www.iac.lu.se/elide-sulsenti-new-modes-interaction-between-gesture-and-sound - 2025-12-11

Eva Sidén, Irene Gellein: Automatism – Development of a Collaborative Sound and Visual Installation

3–9 June, 14–17 March, 20–25 February 2025 Swedish composer, pianist, and sound artist Eva Sidén, together with Norwegian artist and sound artist Irene Gellein, are developing a large-scale sound and video installation that incorporates live performance. This project explores themes of automatism, improvisation, the subconscious, and mythologies, using presence and performative gestures as central

https://www.iac.lu.se/eva-siden-irene-gellein-automatism-development-collaborative-sound-and-visual-installation - 2025-12-11

LoLa – digital interactive arena for cyber performance

1 March 2024, at 13:00 to 15:00 | Lecture, seminar Dragan Buvaç, Peter Spišský, Sara Wilén, teachers and researchers Live demonstration and drop in – Lab for students and staff at the Faculty of Fine and Performing Arts and the public1 March, at 13:00-15:00Location: Inter Arts Center, Bergsgatan 29, 214 22 Malmö (Red Room & Black Room)Contact: sara [dot] wilen [at] mhm [dot] lu [dot] seWelcome to

https://www.iac.lu.se/lola-digital-interactive-arena-cyber-performance - 2025-12-11

Nordic-Baltic Sound Residency Network

Connecting opportunities for sound artists across borders! The Nordic-Baltic Sound Residency Network gathers institutions, programmes and shares opportunities for international sound artists on behalf of 8 network partners.Representing a growing number of partners in Denmark, Sweden, Norway, and Lithuania, The Nordic-Baltic Sound Residency Network is an initiative across the Nordics and Baltics. T

https://www.iac.lu.se/collaborations/nordic-baltic-sound-residency-network - 2025-12-11