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This thesis begins by briefly discussing translation in general, identifying some of the problems involved in the linguistic activity. Then it seeks to explain what is involved in translation relating to film and television, i.e. subtitling. Finally, a comparison will be made between the Spanish speech in the Mexican film, Como agua para chocolate - directed by Alfonso Arau in 1992 and based on hi

This dissertation will analyse three books. They are, in chronological order, La Colmena, by Camilio José Cela (1951), Historias de Kronen, by José Ángel Mañas (1994), and Amor, curiosidad, prozac, y dudas, by Lucía Etxebarría (1997). Etxebarría's book will be discussed before Mañas', since there are so many parallels between Amor... and La Colmena. Even though more than 40 years have pass

This paper investigates Carmen Laforet's Nada through the perspective of censorship. It focuses on the historical context and the machinery of the censorship process in Francoist Spain. The research aims to analyse how Laforet's literary style creates an opportunity for publication despite the critical touch in terms of content. The analytical part takes as its starting point the fluid the

The purpose of this thesis is to propose some feminist tools to study possible sexism in the album Motomami (2022) by Rosalía. In order to achieve the purpose, the most controversial songs and music videos of the album are critically analyzed: “Saoko” and “Hentai”. Both textual and visual aspects are analyzed. The analysis itself is connected to feminist literature. Additionally, it studies how Ro

This thesis examines how artificial intelligence is portrayed in the short story “Verde rojo anaranjado” by Mariana Enríquez. Using literary analysis grounded in David Roas's theory of the fantastic and Bernardo Kastrup's philosophy of Analytical Idealism, this study explores the narrative strategies used to create a dystopian and unsettling atmosphere, focusing on how these fantastical el

This paper presents an investigation that revolves around the Mexican writer Carlos Fuentes through three literary texts: Aura (1962), "Las dos Elenas" (Song of the Blind: 1964) and "La muñeca reina" (Song of the Blind: 1964). The concept under study is the double, a well-established phenomenon in literature, which often appears as a motive or theme in literary works. This essa

This study investigates the modal verbs must and should with deontic meaning in patient information leaflets (PILs), comparing them with their varying translations in the corresponding PILs in Spanish. The objective is to draw conclusions about whether and how the degree of obligation is modified in the translation. Modal verbs are known to pose translation challenges due to the absence of one-to-

The objective of this study is to map and analyze the different uses and distinctions between the two verbal forms synthetic future (cantaré) and periphrastic future (voy a cantar). The study examines whether there has been a shift in the frequency of general use between the two forms over the past 20 years, as well as maps out the different contexts and levels of formality in which each form appe

The following study compares Carlos Fuentes’ “Chac Mool” (1954) with Elena Poniatowska’s “Coatlicue” (2003). Both literary works are short stories that belong to a literary genre known as the Fantastic, which is, in turn, a genre in which a reader will be met with a credible setting, not too different from their own, but in which various supernatural elements manifest themselves and disturb the st

ABSTRACT One of the major aims of fantastic literature is to fight against common forms of representation. A clear example of that are the short stories of Mexican Francisco Tario. The present study examines the literary resources of estrangement and personification in relation to four stories included in the author’s first publication, La noche: “La noche del féretro”, “La noche de la gallina”, “

This study has as its theme the role of food in literature and more specifically to investigate it in three works: the novel Like Water for Chocolate (1989) by Laura Esquivel, the short-story “Lección de cocina” (1971) by Rosario Castellanos and the short-story “El corazón de la alcachofa” (2003) by Elena Poniatowska. With the support of previous studies on the subject, starting from Antiquity wit