Vems röst får höras? : dialekter i ljudboken
This essay is questioning the place for dialects in audiobooks on the Swedish market. What are the publishing houses views of casting dialect voices and how are these voices perceived by the audiobook listeners? The theory is built around voice perception in audiobooks, representation and dialects in film, including works from Matthew Rubery, Iben Have & Birgitte Stougaard Pedersen and Jane Ho