(Sino)graphs in Franco(n)texts : The multilingual and the multimodal in Franco-Chinese literature and visual arts
This chapter examines the aesthetic of the sinograph in the French-language novels, calligraphic works, and picture books by two first-generation Chinese migrant writers and artists in France, François Cheng and Shan Sa. It begins with an illustration of Cheng's and Shan's 'Chinese' calligraphic works (accompanied by the artists' French texts) (Et le Souffle devient signe: Portrait d’une âme à l’e
