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Patricio Guzman’s 1997 documentary film La memoria obstinada contains highly interesting narrative elements. These performative devices, also called re-enactments, are remarkably effective in historiographical, psychological, and cultural terms. These stylistic devices present in the Chilean director's cinematographic work manage to materialize memory within the sociocultural context to which

This essay presents an analysis of the representation of work in the short stories “Olingiris” “Irman”, “El cavador” and “En la medida de las cosas” by the Argentinian writer Samanta Schweblin. By deviating from the usual interpretation that focuses on the fantastic aspects in the author’s work, this essay takes as its starting point the notion that the aspects that are usually classified as abnor

Abstract in English The purpose of this study is to compare the story about Emil i Lönneberga by Astrid Lindgren with the translation Miguel el travieso by Marina Escanilla. The story chosen contains a lot of cultural elements, which appear difficult to translate. The intention is to show that, when translating cultural words, the essential culture of Småland, and the antique and rural of the époq

This paper studies the visibility of women in inclusive language, compared to the traditional language which is defended by the Real Academia Española. The lack of representation of persons of female gender in articles about the Covid-19 disease in the newspaper El País is problematized, as well as the effect a change of gender morpheme would have on said representation. This paper suggests the us

Traveller of the Century (2009) by Andrés Neuman is a passionate love story that reflects 19th Century Europe and furthermore it constitutes a reinterpretation of the period by the author, in which he combines the classical novel with modern literary techniques. This essay analyzes the presence of translation in the story, interpreting it as a metaphor for love, and investigates its significance f

The central goal of this investigation consists in analyzing the implementation of social criticism in five contemporary Cuban films starting with the Cuban Special Period and considering Cuban poitical and ideological regime which implicates censorship within its national cinematographic industry, as well as the international success of Strawberry and Chocolate. However, the analysis of this inve

The purpose of this thesis is to investigate and clarify the usage of the verbal forms present perfect subjunctive (haya cantado) and imperfect subjunctive (cantara/cantase) in the construction “no creo que…” in peninsular Spanish. It will analyse which the factors that encourage the use of the one form or the other are and highlight the factors that allow the usage of the form that diverges from