“Co-opted” for national cultural prestige, economic growth, place promotion and structural economic change? : Notes on the increasing production of European films
A particular focus in this paper is the delicate issue of possible over-production of European films, a situation which has either been spelled out or implied in a number of reports, chapters, books and doctoral dissertations on European cinema during the last decade. In a 2014 eight page briefing (referenced below), for instance, it was suggested that between 2001 and 2008 total investment in EU