Överflödets oundvikliga vidrighet: Sexualitet, kroppen och det abjekta i den flamländska barockens måleri
The purpose of the following thesis is through the combination of a semiotic and phenomenological analysis, to investigate the flemish 17th century painting Achelous Defeated by Hercules. The Creation of The Cornucopia (Allegory of Fruitfulness). The theoretical approach will be based on a treatment of the picture as a symbolic body, which evokes bodily responses similar to those that a real body