'Patterns of Ecological and Aesthetic Co-evolution' : Tree-guitars, River-violins and the Ecology of Listening
The move 'outside' of the concert hall has repercussions for listening and creative practice beyond simply resituating 'music'. The building of an environmentally specific instrumentarium draws on in situ exploration and cultivation of affordances, but also on the embodied pre-existent knowledge of the artists concerned. A sense of space/place and strategies of listening work together both to situ
